4 minutes and 33 seconds

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4 minutes and 33 seconds

4?33? (pronounced "Four minutes, thirty-three seconds" or just "Four thirty- three") is a three-movement composition by American experimental composer John.

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Or Gershwin who, while successfully transcribing the musical idiom of jazz into a symphonic setting, borrowed extensively from traditional blues, folk, and jazz genres, creating piec es defined by a diverse and hazy collection of backgrounds and identities. Equally famous as controversial, the piece centers around three movements intended for any instrument or combination of instruments that consists of four minutes and thirty-three seconds of silence. Rather than writing for the sake of originality, Cage composed a piece that does not will any sounds from the composer or the audience, ideally causing both to merely become observers of their surrounding environment. December 15, Accessed November 05,

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At Woodstock, N. It was performed by David Tudor, pianist, who indicated the beginnings of the parts by closing, the endings by opening, the key-board lid. However, the work may be performed any instrumentalist or combination of instrumentalists and last any length of time. And yet, here is the Los Angeles Philharmonic, not only programming it, but doing so for their opening night gala. And pour one out for my homeez.

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In a world plagued by Muzak, John Cage needed to find a quiet way to make a powerful statement. On August 29, , at a rustic outdoor chamber music hall tucked on a wooded dirt road in Woodstock, New York, the piano virtuoso David Tudor prepared to perform the most jarring piece of music ever written., It was developed by Petri Purho and team , who also created the clever indie breakout hit Crayon Physics Deluxe under his Kloonigames moniker. There are no controls, and no user interaction.

A musical composition is not merely a series of notes. The systematic silence in between gives the soul to the musical notes. Read about the rest values and rest duration in one of my earlier articles.
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As my students know, their brains fascinate me and my colleagues. If they think about it, it is the only learning tool that they can never forget for our classes. Students can forget their homework, laptop, pencil or books. But there is no way they can forget their brain. But having their brain in our classes, on the athletic fields, or stage, does not mean learning or a strong performance will happen.

It was composed in , for any instrument or combination of instruments, and the score instructs the performer s not to play their instrument s during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, [4] although it is commonly perceived as "four minutes thirty-three seconds of silence". The Duet for Two Flutes , composed when Cage was 22, opens with silence, and silence was an important structural element in some of the Sonatas and Interludes —48 , Music of Changes and Two Pastorales Furthermore, in his songs The Wonderful Widow of Eighteen Springs and A Flower Cage directs the pianist to play a closed instrument, which may be understood as a metaphor of silence. The first time Cage mentioned the idea of a piece composed entirely of silence was during a or lecture at Vassar College , A Composer's Confessions. Cage told the audience that he had "several new desires", one of which was.


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